{"id":7692,"date":"2020-11-09T21:09:55","date_gmt":"2020-11-10T05:09:55","guid":{"rendered":"http:\/\/nicksenger.com\/onecatholiclife\/?page_id=7692"},"modified":"2026-01-01T06:22:53","modified_gmt":"2026-01-01T14:22:53","slug":"nicks-reading-log-2003-present","status":"publish","type":"page","link":"http:\/\/nicksenger.com\/onecatholiclife\/nicks-reading-log-2003-present","title":{"rendered":"Nick&#8217;s Reading Log (2003 &#8211; Present)"},"content":{"rendered":"<h2>2025 <span style=\"color: #339966;\">(21)<\/span><\/h2>\n<ul>\n<li><em>The Daily Henry David Thoreau<\/em> edited by Laura Dassow Walls<\/li>\n<li><em>Moby-Dick<\/em> by Herman Melville<\/li>\n<li><em>Bleak House<\/em> by Charles Dickens<\/li>\n<li><em>Into the Wild<\/em> by Jon Krakauer<\/li>\n<li><em>Autobiography<\/em> by St. Ignatius of Loyola<\/li>\n<li><em>Lonesome Dove<\/em> by Larry McMurtry<\/li>\n<li><em>He Leadeth Me<\/em> by Walter J. Ciszek<\/li>\n<li><em>The Practice of Spiritual Direction<\/em> by William Barry<\/li>\n<li><em>An Ignatian Book of Days<\/em> edited by Jim Manney<\/li>\n<li><em>The Tears of Things<\/em> by Richard Rohr<\/li>\n<li><em>Henry David Thoreau: A Life<\/em> by Laura Dassow Walls<\/li>\n<li><em>Roots<\/em> by Alex Haley<\/li>\n<li><em>How the Irish Saved Civilization\u00a0<\/em>by Thomas Cahill<\/li>\n<li><em>New Seeds of Contemplation\u00a0<\/em>by Thomas Merton<\/li>\n<li><em>As You Like It<\/em> by William Shakespeare<\/li>\n<li><em>Metamorphoses<\/em> by Ovid<\/li>\n<li><em>King Henry V<\/em> by William Shakespeare<\/li>\n<li><em>Much Ado About Nothing<\/em> by William Shakespeare<\/li>\n<li><em>King Henry IV, Part II<\/em> by William Shakespeare<\/li>\n<li><em>One Hundred Years of Solitude<\/em> by Gabriel Garc\u00eda M\u00e1rquez<\/li>\n<li><em>Inviting the Mystic, Supporting the Prophet<\/em> by Katherine Dyckman and Patrick Carroll<\/li>\n<\/ul>\n<h2>2024 <span style=\"color: #339966;\">(39)<\/span><\/h2>\n<ul>\n<li><em>Harry Potter and the Deathly Hallows<\/em> by J.K. Rowling<\/li>\n<li><em>Far from the Madding Crowd<\/em> by Thomas Hardy<\/li>\n<li><em>21: The Final Unfinished Voyage of Jack Aubrey<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Blue at the Mizzen<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>The Hundred Days<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Wherever You Go, There You Are<\/em> by Jon Kabat-Zinn<\/li>\n<li><em>The Yellow Admiral<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Harry Potter and the Half-Blood Prince<\/em> by J.K. Rowling<\/li>\n<li><em>Nature and Selected Essays<\/em> by Ralph Waldo Emerson<\/li>\n<li><em>Harry Potter and the Order of the Phoenix<\/em> by J.K. Rowling<\/li>\n<li><em>Immortal Diamond<\/em> by Richard Rohr<\/li>\n<li><em>Falling Upward<\/em> by Richard Rohr<\/li>\n<li><em>The Commodore\u00a0<\/em>by Patrick O&#8217;Brian<\/li>\n<li><em>The Fall of Numenor<\/em> by J.R.R. Tolkien<\/li>\n<li><em>Harry Potter and the Goblet of Fire<\/em> by J.K. Rowling<\/li>\n<li><em>The Good Life<\/em> by Robert Waldinger and Marc Schulz<\/li>\n<li><em>Harry Potter and the Prisoner of Azkaban<\/em> by J.K. Rowling<\/li>\n<li><em>One Little Spark!<\/em> by Marty Sklar<\/li>\n<li><em>Harry Potter and the Chamber of Secrets<\/em> by J.K. Rowling<\/li>\n<li><em>Wake Up and Live!<\/em> by Dorothea Brande<\/li>\n<li><em>A Poetry Handbook<\/em> by Mary Oliver<\/li>\n<li><em>Harry Potter and the Sorcerer&#8217;s Stone<\/em> by J.K. Rowling<\/li>\n<li><em>East of Eden<\/em> by John Steinbeck<\/li>\n<li><em>The Return of the King<\/em> by J.R.R. Tolkien<\/li>\n<li><em>Out to Canaan<\/em> by Jan Karon<\/li>\n<li><em>The Two Towers<\/em> by J.R.R. Tolkien<\/li>\n<li><em>The Ignatian Adventure<\/em> by Kevin O&#8217;Brien, SJ<\/li>\n<li><em>The Fellowship of the Ring<\/em> by J.R.R. Tolkien<\/li>\n<li><em>The Last Battle<\/em> by C.S. Lewis<\/li>\n<li><em>The Silver Chair<\/em> by C.S. Lewis<\/li>\n<li><em>The Wine-Dark Sea<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>The Voyage of the Dawn Treader<\/em> by C.S. Lewis<\/li>\n<li><em>Prince Caspian<\/em> by C.S. Lewis<\/li>\n<li><em>The Horse and His Boy<\/em> by C.S. Lewis<\/li>\n<li><em>The Lion, the Witch, and the Wardrobe<\/em> by C.S. Lewis<\/li>\n<li><em>The Merry Wives of Windsor<\/em> by William Shakespeare<\/li>\n<li><em>A Tale of Two<\/em> Cities by Charles Dickens<\/li>\n<li><em>The Magician&#8217;s Nephew<\/em> by C.S. Lewis<\/li>\n<li><em>The Merchant of Venice<\/em> by William Shakespeare<\/li>\n<\/ul>\n<h2>2023 <span style=\"color: #339966;\">(41)<\/span><\/h2>\n<ul>\n<li><em>Daniel Deronda<\/em> by George Eliot<\/li>\n<li><em>Devotional Classics<\/em> edited by Richard J. Foster and James Bryan Smith<\/li>\n<li><em>The Truelove<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>A Spring Within Us<\/em> &#8211; Richard Rohr<\/li>\n<li><em>The Nutmeg of Consolation<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Middlemarch<\/em> by George Eliot<\/li>\n<li><em>These High, Green Hills<\/em> by Jan Karon<\/li>\n<li><em>The Thirteen-Gun Salute<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>The Universal Christ<\/em> by Richard Rohr<\/li>\n<li><em>King Henry IV, Part I\u00a0<\/em>by William Shakespeare<\/li>\n<li><em>Romola<\/em> by George Eliot<\/li>\n<li><em>The Fellowship of the Ring<\/em> by J.R.R. Tolkien<\/li>\n<li><em>Orlando<\/em> by Virginia Woolf<\/li>\n<li><em>Love&#8217;s Labours Lost<\/em> by William Shakespeare<\/li>\n<li><em>A Midsummer Night&#8217;s Dream<\/em> by William Shakespeare<\/li>\n<li><em>The Letter of Marque<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Romeo and Juliet<\/em> by William Shakespeare<\/li>\n<li><em>Moby-Dick<\/em> by Herman Melville<\/li>\n<li><em>The Gospel of John (Volume 1): The New Daily Study Bible<\/em>\u00a0by William Barclay<\/li>\n<li><em>Silas Marner<\/em> by George Eliot<\/li>\n<li><em>King Richard II<\/em> by William Shakespeare<\/li>\n<li><em>King John<\/em> by William Shakespeare<\/li>\n<li><em>Richard III<\/em> by William Shakespeare<\/li>\n<li><em>Henry VI, Part 3<\/em>\u00a0by William Shakespeare<\/li>\n<li><em>Henry VI, Part 2<\/em>\u00a0by William Shakespeare<\/li>\n<li><em>Henry VI, Part I<\/em> by William Shakespeare<\/li>\n<li><em>The Mill on the Floss<\/em> by George Eliot<\/li>\n<li><em>Titus Andronicus<\/em> by William Shakespeare<\/li>\n<li><em>The Two Gentlemen of Verona<\/em> by William Shakespeare<\/li>\n<li><em>The Taming of the Shrew<\/em> by William Shakespeare<\/li>\n<li><em>The Comedy of Errors<\/em> by William Shakespeare<\/li>\n<li><em>The Passion and the Cross<\/em> by Ronald Rolheiser<\/li>\n<li><em>Harry Potter and the Sorcerer&#8217;s Stone<\/em> by J.K. Rowling<\/li>\n<li><em>The Reverse of the Medal<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Project Hail Mary<\/em> by Andy Weir<\/li>\n<li><em>Beartown<\/em> by Fredrik Backman<\/li>\n<li><em>Adam Bede<\/em> by George Eliot<\/li>\n<li><em>The Far Side of the World<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Toward God: The Ancient Wisdom of Western Prayer<\/em> by Michael Casey<\/li>\n<li><em>Greatness in Smallness: A Vision for Catholic Microschools<\/em> by Jill Annabale<\/li>\n<li><em>Virtue-Based Restorative Discipline<\/em> by Lynne M. Lang<\/li>\n<\/ul>\n<h2>2022 <span style=\"color: #339966;\">(29)<\/span><\/h2>\n<ul>\n<li><em>The Man in the Iron Mask<\/em> by Alexandre Dumas<\/li>\n<li><em>A Spring Within Us<\/em> by Richard Rohr<\/li>\n<li><em>50 Great Short Stories<\/em> edited by Milton Crane<\/li>\n<li><em>Centering Prayer and Inner Awakening<\/em> by Cynthia Bourgeault<\/li>\n<li><em>Open Wide My Heart<\/em> by Macrina Wiederkehr<\/li>\n<li><em>Everyday Simplicity: A Practical Guide to Spiritual Growth<\/em> by Robert Wicks<\/li>\n<li><em>Lectio Divina at the School of Mary<\/em> by Jean Khoury<\/li>\n<li><em>Building a Bridge<\/em> by James Martin<\/li>\n<li><em>Treason&#8217;s Harbour<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Louise de la Valli\u00e8re<\/em> by Alexandre Dumas<\/li>\n<li><em>The Ionian Mission <\/em>by Patrick O&#8217;Brian<\/li>\n<li><em>A Light in the Window<\/em> by Jan Karon<\/li>\n<li><em>A Midsummer Night&#8217;s Dream<\/em> by William Shakespeare<\/li>\n<li><em>A Listening Heart: The Spirituality of Sacred Sensuousness\u00a0<\/em>by David Steindl-Rast<\/li>\n<li><em>The Vicomte de Bragelonne<\/em> by Alexandre Dumas<\/li>\n<li><em>Imagine You Walked with Jesus\u00a0\u00a0<\/em>by Jerry Windley-Daoust<\/li>\n<li><em>Awareness<\/em> by Anthony de Mello<\/li>\n<li><em>The Surgeon&#8217;s Mate<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Man&#8217;s Search for Meaning<\/em> by Victor Frankl<\/li>\n<li><em>Twenty Years After<\/em> by Alexandre Dumas<\/li>\n<li><em>Better Off Dead<\/em> by Lee and Andrew Child<\/li>\n<li><em>The Fortune of War<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Early Retirement Extreme<\/em> by Jacob Lund Fisker<\/li>\n<li><em>The Lion, the Mouse and the Dawn Treader<\/em> by Carl McColman<\/li>\n<li><em>The Voyage of the Dawn Treader<\/em> by C.S. Lewis<\/li>\n<li><em>Desolation Island<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Divine Intimacy, Volume 1 (Revised edition)<\/em> by Fr. Gabriel<\/li>\n<li><em>The Big Book of Christian Mysticism<\/em> by Carl McColman<\/li>\n<li><em>In Conversation with God: Advent\/Christmas (Vol. 1)<\/em> by Francis Fernandez<\/li>\n<\/ul>\n<h2>2021 <span style=\"color: #339966;\">(43)<\/span><\/h2>\n<ul>\n<li><em>Flatland<\/em> by Edwin Abbott<\/li>\n<li><em>The Lone Wolf<\/em> by Louis Joseph Vance<\/li>\n<li><em>The Three Musketeers<\/em> by Alexandre Dumas<\/li>\n<li><em>A Man for All Seasons<\/em> by Robert Bolt<\/li>\n<li><em>Murder Racquet<\/em> edited by Alfred Hitchcock<\/li>\n<li><em>Skipping Christmas\u00a0<\/em>by John Grisham<\/li>\n<li><em>Younger Next Year: The Exercise Program<\/em> by Chris Crowley and Henry Lodge<\/li>\n<li><em>Preparation for Total Consecration to Jesus Christ Through Mary<\/em> &#8211; Fr. Hugh Gillespie, SMM<\/li>\n<li><em>Happiness Is a Warm Corpse<\/em> &#8211; Alfred Hitchcock, editor<\/li>\n<li><em>Thou Shalt Not Kill<\/em> &#8211; Cynthia Manson, editor<\/li>\n<li><em>Return &#8211; <\/em>Brandon Vogt<\/li>\n<li><em>The Mauritius Command<\/em> &#8211; Patrick O&#8217;Brian<\/li>\n<li><em>Happy Deathday!<\/em> &#8211; Alfred Hitchcock, editor<\/li>\n<li><em>At Home in Mitford<\/em> &#8211; Jan Karon<\/li>\n<li><em>David Copperfield<\/em> &#8211; Charles Dickens<\/li>\n<li><em>H.M.S. Surprise<\/em> &#8211; Patrick O&#8217;Brian<\/li>\n<li><em>Life and Holiness<\/em> &#8211; Thomas Merton<\/li>\n<li><em>The Hunchback of Notre Dame<\/em> &#8211; Victor Hugo<\/li>\n<li><em>The Precious Present<\/em> &#8211; Spencer Johnson<\/li>\n<li><em>No Middle Name<\/em> &#8211; Lee Child<\/li>\n<li><em>Younger Next Year<\/em> &#8211; Chris Crowley and Henry Lodge<\/li>\n<li><em>The Living Wood<\/em> &#8211; Louis De Wohl<\/li>\n<li><em>Food Rules: An Eater&#8217;s Manual<\/em>\u00a0by Michael Pollan<\/li>\n<li><em>Post Captain<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>The Sentinel\u00a0<\/em>by Lee Child<\/li>\n<li><em>Quo Vadis<\/em> by Henryk Sienkiewicz (translated by W. S. Kuniczak)<\/li>\n<li><em>Blue Moon<\/em> by Lee Child<\/li>\n<li><em>Past Tense<\/em> by Lee Child<\/li>\n<li><em>The Midnight Line<\/em> by Lee Child<\/li>\n<li><em>Night School<\/em> by Lee Child<\/li>\n<li><em>The Scarlet Pimpernel<\/em> by Baroness Orczy<\/li>\n<li><em>Make Me<\/em> by Lee Child<\/li>\n<li><em>The Divine Comedy<\/em> by Dante Alighieri<\/li>\n<li><em>Pinocchio<\/em> by Carlo Collodi<\/li>\n<li><em>Goodbye, Mr. Chips<\/em> by James Hilton<\/li>\n<li><em>Narrative of the Life of Frederick Douglass<\/em> by Frederick Douglass<\/li>\n<li><em>Interpreting the Old Testament<\/em> by Daniel Harrington<\/li>\n<li><em>Master and Commander<\/em> by Patrick O&#8217;Brian<\/li>\n<li><em>Interpreting the New Testament<\/em> by Daniel Harrington<\/li>\n<li><em>The Nameless Breed<\/em> by Will C. Brown<\/li>\n<li><em>The Booklover&#8217;s Guide to Wine<\/em> by Patrick Alexander<\/li>\n<li><em>A Short Summa<\/em> by Peter Kreeft<\/li>\n<li><em>Men-of-War: Life in Nelson&#8217;s Navy<\/em> by Patrick O&#8217;Brian<\/li>\n<\/ul>\n<h2>2020 <span style=\"color: #339966;\">(39)<\/span><\/h2>\n<ul>\n<li><em>War and Peace<\/em> by Leo Tolstoy<\/li>\n<li><em>The Light Princess<\/em> by George MacDonald<\/li>\n<li><em>How Much Land Does a Man Need? and Other Stories<\/em> by Leo Tolstoy<\/li>\n<li><em>Let Us Dream: The Path to a Better Future<\/em> &#8211; Pope Francis<\/li>\n<li><em>A Christmas Carol<\/em> &#8211; Charles Dickens<\/li>\n<li><em>The Liturgy of the Hours<\/em> &#8211; A.M. Roguet<\/li>\n<li><em>Sacred Reading: The Ancient Art of Lectio Divina<\/em> &#8211; Michael Casey<\/li>\n<li><em>Praying the Liturgy of the Hours: A Personal Journey<\/em> &#8211; Timothy M. Gallagher<\/li>\n<li><em>Deacons and the Church<\/em> &#8211; Owen Cummings<\/li>\n<li><em>Fratelli Tutti<\/em> &#8211; Pope Francis<\/li>\n<li><em>Falling Upward<\/em> &#8211; Richard Rohr<\/li>\n<li><em>Armchair Mystic: Easing into Contemplative Prayer<\/em> &#8211; Mark Thibodeaux<\/li>\n<li><em>Hope Against Darkness<\/em> &#8211; Richard Rohr<\/li>\n<li><em>Personal<\/em> &#8211; Lee Child<\/li>\n<li><em>Never Go Back<\/em> &#8211; Lee Child<\/li>\n<li><em>Death in Springtime<\/em> &#8211; Magdalen Nabb<\/li>\n<li><em>The Phantom of the Opera<\/em> &#8211; Gaston Leroux<\/li>\n<li><em>A Wanted Man<\/em> &#8211; Lee Child<\/li>\n<li><em>City<\/em> &#8211; Clifford Simak<\/li>\n<li><em>The Affair<\/em> &#8211; Lee Child<\/li>\n<li><em>The Jesuit Guide to (Almost) Everything<\/em> &#8211; James Martin<\/li>\n<li><em>Celebration of Discipline<\/em> &#8211; Richard Foster<\/li>\n<li><em>The Golden Ocean<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Gateway to the Great Books Volume 1<\/em> &#8211; Robert Hutchins<\/li>\n<li><em>Reading God\u2019s Word Today<\/em> &#8211; George Martin<\/li>\n<li><em>Listening for Truth<\/em> &#8211; James Keating<\/li>\n<li><em>A Deacon\u2019s Retreat<\/em> &#8211; James Keating<\/li>\n<li><em>The Diary of a Country Priest<\/em> &#8211; Georges Bernanos<\/li>\n<li><em>Deacons: Servants of Charity<\/em> &#8211; Pope Francis<\/li>\n<li><em>Seeking a Center: My Life as a Great Bookie<\/em> &#8211; Otto Bird<\/li>\n<li><em>Worth Dying For<\/em> &#8211; Lee Child<\/li>\n<li><em>The Legend of Sigurd and Gudrun<\/em> &#8211; J.R.R. Tolkien<\/li>\n<li><em>A Coffin for Dimitrios<\/em> &#8211; Eric Ambler<\/li>\n<li><em>61 Hours<\/em> &#8211; Lee Child<\/li>\n<li><em>Gone Tomorrow<\/em> &#8211; Lee Child<\/li>\n<li><em>Nothing to Lose<\/em> &#8211; Lee Child<\/li>\n<li><em>The King of Elfland\u2019s Daughter<\/em> &#8211; Lord Dunsany<\/li>\n<li><em>Crime and Punishment<\/em> &#8211; Fyodor Dostoevsky<\/li>\n<li><em>The Liturgical Year Volume 1<\/em> &#8211; Adrien Nocent<\/li>\n<\/ul>\n<h2>2019 <span style=\"color: #339966;\">(30)<\/span><\/h2>\n<ul>\n<li><em>The Old Curiosity Shop<\/em> &#8211; Charles Dickens<\/li>\n<li><em>The Castle of Otranto<\/em> &#8211; Horace Walpole<\/li>\n<li><em>75 Short Masterpieces<\/em> &#8211; Roger Goodman, editor<\/li>\n<li><em>The Scarlet Letter<\/em> &#8211; Nathaniel Hawthorne<\/li>\n<li><em>Lilith<\/em> &#8211; George MacDonald<\/li>\n<li><em>Bad Luck and Trouble<\/em> &#8211; Lee Child<\/li>\n<li><em>The Hard Way<\/em> &#8211; Lee Child<\/li>\n<li><em>One Shot<\/em> &#8211; Lee Child<\/li>\n<li><em>The Count of Monte Cristo<\/em> &#8211; Alexandre Dumas<\/li>\n<li><em>The Man Who Loved Books<\/em> &#8211; Allison Hoover Bartlett<\/li>\n<li><em>The Shadow of the Wind<\/em> &#8211; Carlo Ruiz Zafon<\/li>\n<li><em>The Enemy<\/em> &#8211; Lee Child<\/li>\n<li><em>The Rosie Result<\/em> &#8211; Graeme Simsion<\/li>\n<li><em>Wrestling with God<\/em> &#8211; Ronald Rolheiser<\/li>\n<li><em>As You Wish<\/em> &#8211; Cary Elwes<\/li>\n<li><em>Persuader<\/em> &#8211; Lee Child<\/li>\n<li><em>Without Fail<\/em> &#8211; Lee Child<\/li>\n<li><em>Pasta Al Dente<\/em> &#8211; Mark Hartley<\/li>\n<li><em>Echo Burning<\/em> &#8211; Lee Child<\/li>\n<li><em>Don Quixote<\/em> &#8211; Miguel de Cervantes<\/li>\n<li><em>Poor Students, Rich Teaching<\/em> &#8211; Eric Jensen<\/li>\n<li><em>Gaudete et Exsultate<\/em> &#8211; Pope Francis<\/li>\n<li><em>The Man in the Iron Mask<\/em> &#8211; Alexandre Dumas<\/li>\n<li><em>Louise de la Valliere<\/em> &#8211; Alexandre Dumas<\/li>\n<li><em>The Vicomte de Bragelonne<\/em> &#8211; Alexandre Dumas<\/li>\n<li><em>One Word That Will Change Your Life<\/em> &#8211; Jon Gordon<\/li>\n<li><em>Bernini<\/em> &#8211; Howard Hibbard<\/li>\n<li><em>The 200 Most Frequently Asked Legal Questions for Educators <\/em>&#8211; Nathan Essex<\/li>\n<li><em>A Room with a View<\/em> &#8211; E.M. Forster<\/li>\n<li><em>The Fisherman\u2019s Tomb<\/em> &#8211; John O\u2019Neill<\/li>\n<\/ul>\n<h2>2018 <span style=\"color: #339966;\">(38)<\/span><\/h2>\n<ul>\n<li><em>The Spy and the Traitor<\/em> &#8211; Ben Macintyre<\/li>\n<li><em>Les Miserables<\/em> &#8211; Victor Hugo<\/li>\n<li><em>Lord Peter Views the Body<\/em> &#8211; Dorothy Sayers<\/li>\n<li><em>The October Country<\/em> &#8211; Ray Bradbury<\/li>\n<li><em>The Hardboiled Dicks<\/em> &#8211; Ron Goulart, editor<\/li>\n<li><em>The Montanans<\/em> &#8211; Bill Pronzini, editor<\/li>\n<li><em>Powerless to Powerful<\/em> &#8211; Charles Salina<\/li>\n<li><em>The Dream Manager<\/em> &#8211; Matthew Kelly<\/li>\n<li><em>Mindset<\/em> &#8211; Carol Dweck<\/li>\n<li><em>Little Women<\/em> &#8211; Louisa May Alcott<\/li>\n<li><em>The Principal<\/em> &#8211; Michael Fullan<\/li>\n<li><em>To-Do List Formula<\/em> &#8211; Damon Zahariades<\/li>\n<li><em>The One Thing<\/em> &#8211; Gary Keller<\/li>\n<li><em>Running Blind<\/em> &#8211; Lee Child<\/li>\n<li><em>BrandED<\/em> &#8211; Eric Sheninger<\/li>\n<li><em>To the Far Blue Mountains<\/em> &#8211; Louis L\u2019Amour<\/li>\n<li><em>Good to Great<\/em> &#8211; James C. Collins<\/li>\n<li><em>Sackett\u2019s Land<\/em> &#8211; Louis L\u2019Amour<\/li>\n<li><em>She<\/em> &#8211; H. Rider Haggard<\/li>\n<li><em>No Limits<\/em> &#8211; John Maxwell<\/li>\n<li><em>School Leadership That Works<\/em> &#8211; Robert Marzano<\/li>\n<li><em>Digital Leadership<\/em> &#8211; Eric Sheninger<\/li>\n<li><em>Lost Stage Valley<\/em> &#8211; Frank Bonham<\/li>\n<li><em>Ready Player One<\/em> &#8211; Ernest Cline<\/li>\n<li><em>Collision Course<\/em> &#8211; Joseph McCartin<\/li>\n<li><em>Notes from the Upside Down<\/em> &#8211; Guy Adams<\/li>\n<li><em>Cries from the Earth<\/em> &#8211; Terry C. Johnston<\/li>\n<li><em>These High, Green Hills<\/em> &#8211; Jan Karon<\/li>\n<li><em>The Red House Mystery<\/em> &#8211; A.A. Milne<\/li>\n<li><em>Captain Alatriste<\/em> &#8211; Arturo Perez-Reverte<\/li>\n<li><em>Rumpole and the Golden Thread<\/em> &#8211; John Mortimer<\/li>\n<li><em>Just Mercy<\/em> &#8211; Bryan Stevenson<\/li>\n<li><em>The Secret Garden<\/em> &#8211; Frances Hodgson Burnett<\/li>\n<li><em>The Drifter<\/em> &#8211; William W. Johnstone<\/li>\n<li><em>Prayer in the Digital Age<\/em> &#8211; Matt Swaim<\/li>\n<li><em>Tripwire<\/em> &#8211; Lee Child<\/li>\n<li><em>Twenty Years After<\/em> &#8211; Alexandre Dumas<\/li>\n<li><em>Pope Francis and the Joy of the Gospel<\/em> &#8211; Edward Sri<\/li>\n<\/ul>\n<h2>2017 <span style=\"color: #339966;\">(56)<\/span><\/h2>\n<ul>\n<li><em>12 Stories They Wouldn\u2019t Let Me Do on TV<\/em> &#8211; Alfred Hitchcock, editor<\/li>\n<li><em>A Spring Within Us<\/em> &#8211; Richard Rohr<\/li>\n<li><em>The Apothecary Rose<\/em> &#8211; Candace Robb<\/li>\n<li><em>The Ballad of the White Horse<\/em> &#8211; G.K. Chesterton<\/li>\n<li><em>The Ultimate Gift<\/em> &#8211; Jim Stovall<\/li>\n<li><em>12 Stories for Late at Night<\/em> &#8211; Alfred Hitchcock, editor<\/li>\n<li><em>Hunted Down<\/em> &#8211; Charles Dickens<\/li>\n<li><em>The Autobiography of Malcolm X<\/em> &#8211; Alex Haley<\/li>\n<li><em>Kristin Lavransdatter<\/em> &#8211; Sigrid Undset<\/li>\n<li><em>Rebecca<\/em> &#8211; Daphne du Maurier<\/li>\n<li><em>Hard Day at the Scaffold<\/em> &#8211; Alfred Hitchock, editor<\/li>\n<li><em>Dead Souls<\/em> &#8211; Nikolai Gogol<\/li>\n<li><em>The Violent Land<\/em> &#8211; Wayne D. Overholser<\/li>\n<li><em>Ghost Stories of an Antiquary<\/em> &#8211; M. R. James<\/li>\n<li><em>The Worm Ouroboros<\/em> &#8211; E.R. Eddison<\/li>\n<li><em>The Story Knife<\/em> &#8211; Brad Reynolds<\/li>\n<li><em>The Murder at the Vicarage<\/em> &#8211; Agatha Christie<\/li>\n<li><em>The Last Queen of England<\/em> &#8211; Steve Robinson<\/li>\n<li><em>The Lincoln Lawyer<\/em> &#8211; Michael Connelly<\/li>\n<li><em>Romola<\/em> &#8211; George Eliot<\/li>\n<li><em>The Man Who Was Poe<\/em> &#8211; Avi<\/li>\n<li><em>The Man in the Brown Suit<\/em> &#8211; Agatha Christie<\/li>\n<li><em>Emma<\/em> &#8211; Jane Austen<\/li>\n<li><em>Empire of the East<\/em> &#8211; Fred Saberhagen<\/li>\n<li><em>The End of the Third Age<\/em> (LOTR #6) &#8211; J.R.R. Tolkien<\/li>\n<li><em>The War of the Ring<\/em> (LOTR #5) &#8211; J.R.R. Tolkien<\/li>\n<li><em>Die Trying<\/em> &#8211; Lee Child<\/li>\n<li><em>O Pioneers!<\/em> &#8211; Willa Cather<\/li>\n<li><em>Killing Floor<\/em> &#8211; Lee Child<\/li>\n<li><em>Lonesome Dove<\/em> &#8211; Larry McMurtry<\/li>\n<li><em>The Ring Goes East<\/em> (LOTR #4) &#8211; J.R.R. Tolkien<\/li>\n<li><em>A Journal of the Plague Year<\/em> &#8211; Daniel Defoe<\/li>\n<li><em>The Trial<\/em> &#8211; Franz Kafka<\/li>\n<li><em>The Treason of Isengard<\/em> (LOTR #3) &#8211; J.R.R. Tolkien<\/li>\n<li><em>Zuleika Dobson<\/em> &#8211; Max Beerbohm<\/li>\n<li><em>The Ring Goes South<\/em> (LOTR #2) &#8211; J.R.R. Tolkien<\/li>\n<li><em>Far from the Madding Crowd<\/em> &#8211; Thomas Hardy<\/li>\n<li><em>The Novel of the Century<\/em> &#8211; David Bellos<\/li>\n<li><em>The Ring Sets Out<\/em> (LOTR 1) &#8211; J.R.R. Tolkien<\/li>\n<li><em>The Crucible<\/em> &#8211; Arthur Miller<\/li>\n<li><em>The Sapphire Rose<\/em> &#8211; David Eddings<\/li>\n<li><em>The Ruby Knight<\/em> &#8211; David Eddings<\/li>\n<li><em>The Diamond Throne<\/em> &#8211; David Eddings<\/li>\n<li><em>4:50 from Paddington<\/em> &#8211; Agatha Christie<\/li>\n<li><em>How Green Was My Valley<\/em> &#8211; Richard Llewellyn<\/li>\n<li><em>The Sorrows of Young Werther<\/em> &#8211; Johann Wolfgang von Goethe<\/li>\n<li><em>The Hobbit<\/em> &#8211; J.R.R. Tolkien<\/li>\n<li><em>The Insidious Dr. Fu-Manchu<\/em> &#8211; Sax Rohmer<\/li>\n<li><em>The Yellow Wallpaper<\/em> &#8211; Charlotte Perkins Gilman<\/li>\n<li><em>The Chronicles of Master Li and Number Ten Ox<\/em> &#8211; Barry Hughart<\/li>\n<li><em>Zen the Art of Writing<\/em> &#8211; Ray Bradbury<\/li>\n<li><em>Pilgrimage: My Search for the Real Pope Francis<\/em> &#8211; Mark Shriver<\/li>\n<li><em>Black Beauty<\/em> &#8211; Anna Sewell<\/li>\n<li><em>To the Bright Edge of the World<\/em> &#8211; Eowyn Ivey<\/li>\n<li><em>Nineteen Eighty-four<\/em> &#8211; George Orwell<\/li>\n<li><em>The Mystery of the Yellow Room<\/em> &#8211; Gaston Leroux<\/li>\n<\/ul>\n<h2>2016 <span style=\"color: #339966;\">(38)<\/span><\/h2>\n<ul>\n<li><em>Battlefield Earth<\/em> &#8211; L. Ron Hubbard<\/li>\n<li><em>A Child\u2019s Christmas in Wales<\/em> &#8211; Dylan Thomas<\/li>\n<li><em>Divine Dance: The Trinity and Your Transformation<\/em> &#8211; Richard Rohr<\/li>\n<li><em>Conan: The Definitive Collection<\/em> &#8211; Robert E. Howard<\/li>\n<li><em>The Prestige<\/em> &#8211; Christopher Priest<\/li>\n<li><em>The Bridge of San Luis Rey<\/em> &#8211; Thornton Wilder<\/li>\n<li><em>Lord of the World<\/em> &#8211; Robert Hugh Benson<\/li>\n<li><em>Three Hearts and Three Lions<\/em> &#8211; Poul Anderson<\/li>\n<li><em>The House on the Borderland<\/em> &#8211; William Hope Hodgson<\/li>\n<li><em>The Betrothed<\/em> &#8211; Alessandro Manzoni<\/li>\n<li><em>How to Publish and Sell Your Article on the Kindle<\/em> &#8211; Kate Harper<\/li>\n<li><em>Tea with the Black Dragon<\/em> &#8211; R.A. MacAvoy<\/li>\n<li><em>To the Grave<\/em> &#8211; Steve Robinson<\/li>\n<li><em>Executive Privilege<\/em> &#8211; Phillip Margolin<\/li>\n<li><em>Howl\u2019s Moving Castle<\/em> &#8211; Diana Wynne Jones<\/li>\n<li><em>The Nightingale<\/em> &#8211; Kristin Hannah<\/li>\n<li><em>Ready Player One<\/em> &#8211; Ernest Cline<\/li>\n<li><em>The Short Drop<\/em> &#8211; Matthew FitzSimmons<\/li>\n<li><em>No One Cries the Wrong Way<\/em> &#8211; Joe Kempf<\/li>\n<li><em>Hermann and Dorothea<\/em> &#8211; Goethe<\/li>\n<li><em>You Are a Writer<\/em> &#8211; Jeff Goins<\/li>\n<li><em>Contemplating the Trinity<\/em> &#8211; Raniero Cantalamessa<\/li>\n<li><em>Gilgamesh: The New Translation<\/em> &#8211; Gerald Davis, translator<\/li>\n<li><em>Lord Darcy Investigates<\/em> &#8211; Randall Garrett<\/li>\n<li><em>Swords and Deviltry<\/em> &#8211; Fritz Leiber<\/li>\n<li><em>Running with the Demon<\/em> &#8211; Terry Brooks<\/li>\n<li><em>The Legend of Sleepy Hollow<\/em> &#8211; Washington Irving<\/li>\n<li><em>The Silkworm<\/em> &#8211; Robert Galbraith<\/li>\n<li><em>The Cuckoo\u2019s Calling<\/em> &#8211; Robert Galbraith<\/li>\n<li><em>Trent\u2019s Last Case<\/em> &#8211; E.C. Bentley<\/li>\n<li><em>The Chocolatier\u2019s Wife<\/em> &#8211; Cindy Lynn Speer<\/li>\n<li><em>The Eight<\/em> &#8211; Katherine Neville<\/li>\n<li><em>The Iliad; The Odyssey<\/em> &#8211; Homer<\/li>\n<li><em>An Experiment in Criticism<\/em> &#8211; C.S. Lewis<\/li>\n<li><em>Reliving the Passion<\/em> &#8211; Walter Wangerin, Jr.<\/li>\n<li><em>Digital Leadership<\/em> &#8211; Eric Sheninger<\/li>\n<li><em>Sometimes the Magic Works<\/em> &#8211; Terry Brooks<\/li>\n<li><em>How to Make a Living as a Writer<\/em> &#8211; Jeff Goin<\/li>\n<\/ul>\n<h2>2015 <span style=\"color: #339966;\">(23)<\/span><\/h2>\n<ul>\n<li><em>The Three Musketeers<\/em> &#8211; Alexandre Dumas<\/li>\n<li><em>The Hound of the Baskervilles<\/em> &#8211; Arthur Conan Doyle<\/li>\n<li><em>Treasure Island<\/em> &#8211; Robert Louis Stevenson<\/li>\n<li><em>In His Spirit<\/em> &#8211; Richard Hauser<\/li>\n<li><em>Healing<\/em> &#8211; Francis MacNutt<\/li>\n<li><em>The Prayer that Heals<\/em> &#8211; Francis MacNutt<\/li>\n<li><em>Sober Intoxication of the Spirit<\/em> &#8211; Raniero Cantalamessa<\/li>\n<li><em>The Gifts of Imperfection<\/em> &#8211; Brene Brown<\/li>\n<li><em>Leadership in Organizations<\/em> &#8211; Gary Yukl<\/li>\n<li><em>Heraclitean Fire<\/em> &#8211; Michael Carey<\/li>\n<li><em>Simple Dreams<\/em> &#8211; Linda Ronstadt<\/li>\n<li><em>Challenge<\/em> &#8211; Mark Link<\/li>\n<li><em>The Authoritative Calvin and Hobbes<\/em> &#8211; Bill Watterson<\/li>\n<li><em>Praying the Liturgy of the Hours<\/em> &#8211; Timothy Gallagher<\/li>\n<li><em>A Light in the Window<\/em> &#8211; Jan Karon<\/li>\n<li><em>Spiritual Life: The Foundation for Preaching and Teaching<\/em> &#8211; John Westerhoff<\/li>\n<li><em>Patrick O\u2019Brian: A Life Revealed<\/em> &#8211; Dean King<\/li>\n<li><em>21: The Final Unfinished Voyage of Jack Aubrey<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Blue at the Mizzen<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>The Hundred Days<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>The Yellow Admiral<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>The Essential Calvin and Hobbes<\/em> &#8211; Bill Watterson<\/li>\n<li><em>The Rosie Effect<\/em> &#8211; Graeme Samson<\/li>\n<\/ul>\n<h2>2014 <span style=\"color: #339966;\">(44)<\/span><\/h2>\n<ul>\n<li><em>The Commodore<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>In the Blood<\/em> &#8211; Steve Robinson<\/li>\n<li><em>The Velveteen Rabbit<\/em> &#8211; Margery Williams<\/li>\n<li><em>Unbroken<\/em> &#8211; Laura Hillenbrand<\/li>\n<li><em>Minecraft: Essential Handbook<\/em> &#8211; Stephanie Milton<\/li>\n<li><em>Dracula<\/em> &#8211; Bram Stoker<\/li>\n<li><em>Queen of Sorcery<\/em> &#8211; David Eddings<\/li>\n<li><em>How to Pray Always<\/em> &#8211; Raoul Plus<\/li>\n<li><em>The Darkest Road<\/em> &#8211; Guy Gavriel Kay<\/li>\n<li><em>The Wandering Fire<\/em> &#8211; Guy Gavriel Kay<\/li>\n<li><em>Awaken the Learner<\/em> &#8211; Darrell Scott and Robert Marzano<\/li>\n<li><em>The Summer Tree<\/em> &#8211; Guy Gavriel Kay<\/li>\n<li><em>The Gift of Being Yourself<\/em> &#8211; David Benner<\/li>\n<li><em>The Wind in the Willows<\/em> &#8211; Kenneth Grahame<\/li>\n<li><em>The Professor &amp; the Madman<\/em> &#8211; Simon Winchester<\/li>\n<li><em>Longing and Belonging<\/em> (Audiobook) &#8211; John O\u2019Donohue<\/li>\n<li><em>The Wine-Dark Sea<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Attachments<\/em> &#8211; Rainbow Rowell<\/li>\n<li><em>Pawn of Prophecy<\/em> &#8211; David Eddings<\/li>\n<li><em>The Writing Life<\/em> &#8211; Annie Dillard<\/li>\n<li><em>The Face in the Frost<\/em> &#8211; John Bellairs<\/li>\n<li><em>Sacred Fire<\/em> &#8211; Ronald Rolheiser<\/li>\n<li><em>The Truelove<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Show Your Work!<\/em> &#8211; Austin Kleon<\/li>\n<li><em>Paperless<\/em> &#8211; David Sparks<\/li>\n<li><em>Write for Life<\/em> &#8211; Sheppard Kominars<\/li>\n<li><em>Casino Royale<\/em> &#8211; Ian Fleming<\/li>\n<li><em>The Rosie Project<\/em> &#8211; Graeme Simsion<\/li>\n<li><em>The Wishsong of Shannara<\/em> &#8211; Terry Brooks<\/li>\n<li><em>The Elfstones of Shannara<\/em> &#8211; Terry Brooks<\/li>\n<li><em>The Sword of Shannara<\/em> &#8211; Terry Brooks<\/li>\n<li><em>The Alchemist<\/em> &#8211; Paulo Coelho<\/li>\n<li><em>Reading for Preaching<\/em> &#8211; Cornelius Plantinga<\/li>\n<li><em>The Fault in Our Stars<\/em> &#8211; John Green<\/li>\n<li><em>Old Yeller<\/em> &#8211; Fred Gipson<\/li>\n<li><em>At Home in Mitford<\/em> &#8211; Jan Karon<\/li>\n<li><em>Jane Eyre<\/em> &#8211; Charlotte Bronte<\/li>\n<li><em>Writing the Breakout Novel<\/em> &#8211; Donald Maass<\/li>\n<li><em>How to Read a Poem<\/em> &#8211; Edward Hirsch<\/li>\n<li><em>S.<\/em> &#8211; JJ Abrams and Doug Dorst<\/li>\n<li><em>Awareness<\/em> &#8211; Anthony de Mello<\/li>\n<li><em>Quiet<\/em> &#8211; Susan Cain<\/li>\n<li><em>Company of Voices<\/em> &#8211; George Guiver<\/li>\n<li><em>Younger Next Year<\/em> &#8211; Chris Crowley<\/li>\n<\/ul>\n<h2>2013 <span style=\"color: #339966;\">(40)<\/span><\/h2>\n<ul>\n<li><em>The Joy of the Gospel<\/em> &#8211; Pope Francis<\/li>\n<li><em>Too Many Magicians<\/em> &#8211; Randall Garrett<\/li>\n<li><em>Murder and Magic<\/em> &#8211; Randall Garrett<\/li>\n<li><em>The Woman in White<\/em> &#8211; Wilkie Collins<\/li>\n<li><em>The Count of Monte Cristo (abridged)<\/em> &#8211; Alexandre Dumas<\/li>\n<li><em>Nothing O\u2019Clock<\/em> &#8211; Neil Gaiman<\/li>\n<li><em>Out of Solitude<\/em> &#8211; Henri Nouwen<\/li>\n<li><em>Silverlock<\/em> &#8211; John Myers Myers<\/li>\n<li><em>History of Rock and Roll 101<\/em> &#8211; Vook<\/li>\n<li><em>Blue<\/em> &#8211; Lou Aronica<\/li>\n<li><em>The Global War on Christians<\/em> &#8211; John Allen<\/li>\n<li><em>The Mystery of the Haunted Cottage<\/em> &#8211; Derek Landy<\/li>\n<li><em>The Nutmeg of Consolation<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>The Beast of Babylon<\/em> &#8211; Charlie Higson<\/li>\n<li><em>Spore<\/em> &#8211; Alex Scarrow<\/li>\n<li><em>Quo Vadis<\/em> &#8211; Henryk Sienkiewicz, ed James Bell<\/li>\n<li><em>The Robe<\/em> &#8211; Lloyd C. Douglas<\/li>\n<li><em>The Last Unicorn<\/em> &#8211; Peter S. Beagle<\/li>\n<li><em>The Ripple Effect<\/em> &#8211; Malorie Blackman<\/li>\n<li><em>J.R.R. Tolkien\u2019s Sanctifying Myth<\/em> &#8211; Bradley Birzer<\/li>\n<li><em>The Everyday Catholic\u2019s Guide to the Liturgy of the Hours<\/em> &#8211; Daria Sockey<\/li>\n<li><em>The Origins of Tolkien\u2019s Middle-earth for Dummies<\/em> &#8211; Greg Harvey<\/li>\n<li><em>Alternate Worlds<\/em> &#8211; James Edwin Gunn<\/li>\n<li><em>Something Borrowed<\/em> &#8211; Richelle Mead<\/li>\n<li><em>Meditations on Middle-earth<\/em> &#8211; Karen Haber<\/li>\n<li><em>The War of the Worlds<\/em> &#8211; H.G. Wells<\/li>\n<li><em>Glory Hunters<\/em> &#8211; Michael J. Moran<\/li>\n<li><em>Tip of the Tongue<\/em> &#8211; Patrick Ness<\/li>\n<li><em>And the Mountains Echoed<\/em> &#8211; Khaled Hosseini<\/li>\n<li><em>Moneyball<\/em> &#8211; Michael Lewis<\/li>\n<li><em>The Lost City of Z<\/em> &#8211; David Grann<\/li>\n<li><em>Travels with Charley<\/em> &#8211; John Steinbeck<\/li>\n<li><em>The Roots of Evil<\/em> &#8211; Philip Reeve<\/li>\n<li><em>The Spear of Destiny<\/em> &#8211; Marcus Sedgwick<\/li>\n<li><em>The Devil\u2019s Advocate<\/em> &#8211; Morris West<\/li>\n<li><em>The Nameless City<\/em> &#8211; Michael Scott<\/li>\n<li><em>Forming Intentional Disciples<\/em> &#8211; Sherry Weddell<\/li>\n<li><em>A Big Hand for the Doctor<\/em> &#8211; Eoin Colfer<\/li>\n<li><em>11\/22\/63<\/em> &#8211; Stephen King<\/li>\n<li><em>Les Mis\u00e9rables<\/em> &#8211; Victor Hugo<\/li>\n<\/ul>\n<h2>2012 <span style=\"color: #339966;\">(42)<\/span><\/h2>\n<ul>\n<li><em>Out of the Silent Planet<\/em> &#8211; C.S. Lewis<\/li>\n<li><em>From Wild Man to Wise Man<\/em> &#8211; Richard Rohr<\/li>\n<li><em>Mr. Penumbra\u2019s 24-Hour Bookstore<\/em> &#8211; Robin Sloan<\/li>\n<li><em>Wool Omnibus Edition<\/em> &#8211; Hugh Howey<\/li>\n<li><em>The Thirteen-Gun Salute<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Why Be Catholic?<\/em> &#8211; Richard Rohr<\/li>\n<li><em>Spiritual Life: The Foundation for Preaching and Teaching<\/em> &#8211; John Westerhoff<\/li>\n<li><em>Teach Like a Champion<\/em> &#8211; Doug Lemov<\/li>\n<li><em>Imagining a Sermon<\/em> &#8211; Thomas Troeger<\/li>\n<li><em>The Homiletical Plot<\/em> &#8211; Eugene Lowry<\/li>\n<li><em>How to Defend the Faith Without Raising Your Voice<\/em> &#8211; Austen Ivereigh<\/li>\n<li><em>Cover Her Face<\/em> &#8211; P.D. James<\/li>\n<li><em>Imaginal Preaching<\/em> &#8211; James Wallace<\/li>\n<li><em>An Introduction to the Homily<\/em> &#8211; Robert Waznak<\/li>\n<li><em>Preaching Basics<\/em> &#8211; Edward Foley<\/li>\n<li><em>Engaging a New Generation<\/em> &#8211; Frank Mercadante<\/li>\n<li><em>The Letter of Marque<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>The Reverse of the Medal<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Grace Notes<\/em> &#8211; Brian Doyle<\/li>\n<li><em>Tools for Teaching<\/em> &#8211; Fred Jones<\/li>\n<li><em>The Far Side of the World<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Our One Great Act of Fidelity<\/em> &#8211; Ronald Rolheiser<\/li>\n<li><em>The Maze Runner<\/em> &#8211; James Dashner<\/li>\n<li><em>Between Heaven and Mirth<\/em> &#8211; James Martin<\/li>\n<li><em>Beauty: The Invisible Embrace<\/em> &#8211; John O\u2019Donohue<\/li>\n<li><em>Let Us Pray: A Guide to the Rubrics of Sunday Mass<\/em> &#8211; Paul Turner<\/li>\n<li><em>The Art of Confession<\/em> &#8211; Paul Wilkes<\/li>\n<li><em>A New Friendship<\/em> &#8211; Edward Buelt<\/li>\n<li><em>The Emerging Diaconate<\/em> &#8211; William T. Ditewig<\/li>\n<li><em>Deus Caritas Est: God Is Love<\/em> &#8211; Pope Benedict XVI<\/li>\n<li><em>Treason\u2019s Harbour<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>The Catholic Imagination<\/em> &#8211; Andrew Greeley<\/li>\n<li><em>Secularity and the Gospel<\/em> &#8211; Ronald Rolheiser<\/li>\n<li><em>The Hunger Games<\/em> &#8211; Suzanne Collins<\/li>\n<li><em>The Four Things that Matter Most<\/em> &#8211; Ira Byock<\/li>\n<li><em>Seedfolks<\/em> &#8211; Paul Fleischman<\/li>\n<li><em>The Ionian Mission<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Rite of Christian Initiation of Adults: Study Edition<\/em><\/li>\n<li><em>The Surgeon\u2019s Mate<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Organized Simplicity<\/em> &#8211; Tsh Oxenreider<\/li>\n<li><em>The Fortune of War<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Learn Me Good<\/em> &#8211; John Pearson<\/li>\n<\/ul>\n<h2>2011 <span style=\"color: #339966;\">(43)<\/span><\/h2>\n<ul>\n<li><em>The Lord of the Rings<\/em> &#8211; J.R.R. Tolkien<\/li>\n<li><em>Poverty of Spirit<\/em> &#8211; Johannes Baptist Metz<\/li>\n<li><em>The Hobbit<\/em> &#8211; J.R.R. Tolkien<\/li>\n<li><em>Desolation Island<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Deacons and the Church<\/em> &#8211; Owen Cummings<\/li>\n<li><em>To the Field of Stars<\/em> &#8211; Fr. Kevin Codd<\/li>\n<li><em>With Fire and Sword<\/em> &#8211; Henryk Sienkiewicz<\/li>\n<li><em>Reading Scripture as the Word of God<\/em> &#8211; George Martin<\/li>\n<li><em>The Prayer that Changes Everything<\/em> &#8211; Jim Manney<\/li>\n<li><em>Paradise on the Steppe<\/em> &#8211; Joseph Height<\/li>\n<li><em>Anam Cara: A Book of Celtic Wisdom<\/em> &#8211; John O\u2019Donohue<\/li>\n<li><em>Cutting for Stone<\/em> &#8211; Abraham Verghese<\/li>\n<li><em>Mr. Midshipman Hornblower &#8211; <\/em>C.S Forester<\/li>\n<li><em>Scaramouche<\/em> &#8211; Rafael Sabatini<\/li>\n<li><em>The Warden<\/em> &#8211; Anthony Trollope<\/li>\n<li><em>No Man Is an Island<\/em> &#8211; Thomas Merton<\/li>\n<li><em>The Extraordinary Adventures of Alfred Kropp<\/em> &#8211; Rick Yancey<\/li>\n<li><em>Why Preach?<\/em> &#8211; Peter John Cameron<\/li>\n<li><em>Christology<\/em> &#8211; Matthias Neuman<\/li>\n<li><em>Elements of Rite<\/em> &#8211; Aidan Kavanagh<\/li>\n<li><em>Conceived Without Sin<\/em> &#8211; Bud Macfarlane, Jr.<\/li>\n<li><em>Theological Reflection: Connecting Faith and Life<\/em> &#8211; Joye Gros<\/li>\n<li><em>Basic Norms for the Formation of Permanent Deacons<\/em> &#8211; Congregation for Catholic Education<\/li>\n<li><em>The Ball and the Cross<\/em> &#8211; G.K. Chesterton<\/li>\n<li><em>Do the Work<\/em> &#8211; Steven Pressfield<\/li>\n<li><em>Exodus from Hunger<\/em> &#8211; David Beckman<\/li>\n<li><em>The Mauritius Command<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>How Big is Your God?<\/em> &#8211; Paul Coutinho<\/li>\n<li><em>H.M.S Surprise<\/em> -Patrick O\u2019Brian<\/li>\n<li><em>Poke the Box<\/em> &#8211; Seth Godin<\/li>\n<li><em>Post Captain<\/em> &#8211; Patrick O\u2019Brian<\/li>\n<li><em>Responses to 101 Questions on the Bible<\/em> &#8211; Raymond Brown<\/li>\n<li><em>Imaginary Jesus<\/em> &#8211; Matt Mikalatos<\/li>\n<li><em>Confessions<\/em> &#8211; Ryne Pearson<\/li>\n<li><em>Splendor in the Ordinary<\/em> &#8211; Thomas Howard<\/li>\n<li><em>Avempartha<\/em> &#8211; Michael Sullivan<\/li>\n<li><em>The Crown Conspiracy<\/em> &#8211; Michael Sullivan<\/li>\n<li><em>My Life with the Saints<\/em> &#8211; James Martin<\/li>\n<li><em>How to Make Homilies Better, Briefer and Bolder<\/em> &#8211; Alfred McBride<\/li>\n<li><em>Preaching Better<\/em> &#8211; Ken Untener<\/li>\n<li><em>The Spirit of the Liturgy<\/em> &#8211; Pope Benedict XVI<\/li>\n<li><em>Walking a Literary Labyrinth<\/em> &#8211; Nancy Malone<\/li>\n<li><em>The Golden Age<\/em> &#8211; John C. Wright<\/li>\n<\/ul>\n<h2>2010 <span style=\"color: #339966;\">(32)<\/span><\/h2>\n<ul>\n<li><em>Crossfire<\/em> &#8211; James Patterson<\/li>\n<li><em>A Tale of Two Cities<\/em> &#8211; Charles Dickens<\/li>\n<li><em>Fulfilled in Your Hearing<\/em> &#8211; US Bishop\u2019s Committee<\/li>\n<li><em>The Deacon at Mass<\/em> &#8211; William Ditewig<\/li>\n<li><em>Into the Silent Land<\/em> &#8211; Martin Laird<\/li>\n<li><em>The Naked Now<\/em> &#8211; Richard Rohr<\/li>\n<li><em>Models of the Church<\/em> &#8211; Avery Dulles<\/li>\n<li><em>Awake My Soul<\/em> &#8211; Fr. James Martin, ed.<\/li>\n<li><em>Be a Man!<\/em> &#8211; Fr. Larry Richards<\/li>\n<li><em>Here There Be Dragons<\/em> &#8211; James Owen<\/li>\n<li><em>Confession<\/em> &#8211; Tom Curran<\/li>\n<li><em>Uglies<\/em> &#8211; Scott Westerfeld<\/li>\n<li><em>The Curious Incident of the Dog in the Night-time<\/em> &#8211; Mark Haddon<\/li>\n<li><em>Mockingjay<\/em> &#8211; Suzanne Collins<\/li>\n<li><em>Catching Fire<\/em> &#8211; Suzanne Collins<\/li>\n<li><em>The Hunger Games<\/em> &#8211; Suzanne Collins<\/li>\n<li><em>The Secret Cardinal<\/em> &#8211; Tom Grace<\/li>\n<li><em>The Book of Three<\/em> &#8211; Lloyd Alexander<\/li>\n<li><em>The Road<\/em> &#8211; Cormac McCarthy<\/li>\n<li><em>Once Upon a Fastball<\/em> &#8211; Bob Mitchell<\/li>\n<li><em>Charles Dickens<\/em> &#8211; G.K. Chesterton<\/li>\n<li><em>The Great Mysteries<\/em> &#8211; Andrew Greeley<\/li>\n<li><em>Master and Commander<\/em> &#8211; Patrick O&#8217;Brian<\/li>\n<li><em>The Jesuit Guide to Almost Everything<\/em> &#8211; James Martin<\/li>\n<li><em>Cry, the Beloved Country<\/em> &#8211; Alan Paton<\/li>\n<li><em>A Travel Guide to Heaven<\/em> &#8211; Anthony DeStefano<\/li>\n<li><em>The Silmarillion<\/em> &#8211; J.R.R. Tolkien<\/li>\n<li><em>The Passage<\/em> &#8212; Justin Cronin<\/li>\n<li><em>The Children of Hurin<\/em> &#8211; J.R.R. Tolkien<\/li>\n<li><em>Northanger Abby<\/em> &#8211; Jane Austen<\/li>\n<li><em>Heaven: The Heart&#8217;s Deepest Longing<\/em> \u2013 Peter Kreeft<\/li>\n<li><em>Deep Conversion\/Deep Prayer<\/em> \u2013 Fr. Thomas Dubay<\/li>\n<\/ul>\n<h2>2009 <span style=\"color: #339966;\">(31)<\/span><\/h2>\n<ul>\n<li><em>Confessions<\/em> \u2013 St. Augustine<\/li>\n<li><em>A Second Look in the Rearview Mirror<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>Philosopher at Large: An Intellectual Biography<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>Reading Scripture as the Word of God<\/em> \u2013 George Martin<\/li>\n<li><em>The Lightning Thief<\/em> \u2013 Rick Riordan<\/li>\n<li><em>Gloria&#8217;s Miracle<\/em> \u2013 Jerry Brewer<\/li>\n<li><em>Reaching Out<\/em> \u2013 Joseph Lynch<\/li>\n<li><em>Quest for the Living God<\/em> \u2013 Elizabeth Johnson<\/li>\n<li><em>Teaching Adolescent Writers<\/em> \u2013 Kelly Gallagher<\/li>\n<li><em>The Wanderers<\/em> \u2013 Deacon Henry Garon<\/li>\n<li><em>The Deacon Reader<\/em> &#8211; James Keating, ed.<\/li>\n<li><em>Managing Your Mind<\/em> \u2013 Gillian Butler<\/li>\n<li><em>Truth in Religion<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>The Interpretation of Scripture<\/em> \u2013 Joseph Fitzmyer<\/li>\n<li><em>Opening to God<\/em> \u2013 Thomas Keating<\/li>\n<li><em>Everything Belongs<\/em> \u2013 Richard Rohr<\/li>\n<li><em>Things Hidden: Scripture as Spirituality<\/em> \u2013 Richard Rohr<\/li>\n<li><em>The Metamorphosis<\/em> \u2013 Franz Kafka<\/li>\n<li><em>Difficult Conversations<\/em>\u00a0\u2013 Douglas Stone<\/li>\n<li><em>Lyonesse: Suldrun&#8217;s Garden<\/em> \u2013 Jack Vance<\/li>\n<li><em>The Five Love Languages<\/em> \u2013 Gary Chapman<\/li>\n<li><em>The Shack<\/em> \u2013 William Paul Young<\/li>\n<li><em>Little Dorrit<\/em> \u2013 Charles Dickens<\/li>\n<li><em>Here&#8217;s My Heart, Here&#8217;s My Hand<\/em> \u2013 William Barry, SJ<\/li>\n<li><em>His Majesty&#8217;s Dragon<\/em> \u2013 Naomi Novik<\/li>\n<li><em>The Mysterious Affair at Styles<\/em> \u2013 Agatha Christie<\/li>\n<li><em>The Thirty-nine Steps<\/em> \u2013 John Buchan<\/li>\n<li><em>Our Lady of Kibeho<\/em> \u2013 Immaculee Ilibigaza<\/li>\n<li><em>Left to Tell<\/em> \u2013 Immaculee Ilibigaza<\/li>\n<li><em>Priestblock 25487<\/em> \u2013 Jean Bernard<\/li>\n<li><em>Abandonment to Divine Providence<\/em> \u2013 Jean-Pierre de Caussade<\/li>\n<\/ul>\n<h2>2008 <span style=\"color: #339966;\">(31)<\/span><\/h2>\n<ul>\n<li><em>Lectio Divina<\/em> \u2013 M. Basil Pennington<\/li>\n<li><em>What\u2019s So Great About Christianity?<\/em>\u00a0\u2013 Dinesh D\u2019Souza<\/li>\n<li><em>Forgotten Among the Lilies<\/em> \u2013 Ronald Rolheiser<\/li>\n<li><em>Journey of a Soul<\/em> \u2013 Pope John XXIII<\/li>\n<li><em>101 Questions and Answers on Deacons<\/em> \u2013 Deacon William Ditewig<\/li>\n<li><em>Armageddon&#8217;s Children<\/em> &#8211; Terry Brooks<\/li>\n<li><em>Odd Thomas<\/em> \u2013 Dean Koontz<\/li>\n<li><em>Five Pillars of the Spiritual Life<\/em> \u2013 Fr. Robert Spitzer<\/li>\n<li><em>Praying the Word<\/em> \u2013 Enzo Bianchi<\/li>\n<li><em>Called, Formed, Sent<\/em> \u2013 Richard Rohr<\/li>\n<li><em>The Fulfillment of all Desire<\/em> \u2013 Ralph Martin<\/li>\n<li><em>A Poetry Handbook<\/em> \u2013 Mary Oliver<\/li>\n<li><em>Brain Rules<\/em> \u2013 James Medina<\/li>\n<li><em>Breaking Dawn<\/em> \u2013 Stephenie Meyer<\/li>\n<li><em>Eclipse<\/em> \u2013 Stephenie Meyer<\/li>\n<li><em>New Moon<\/em> \u2013 Stephenie Meyer<\/li>\n<li><em>In the Zone<\/em> \u2013 Nancie Atwell<\/li>\n<li><em>Walk Two Moons<\/em> \u2013 Sharon Creech<\/li>\n<li><em>Freak the Mighty<\/em> \u2013 Rodman Philbrick<\/li>\n<li><em>Maximum Ride<\/em> \u2013 James Patterson<\/li>\n<li><em>The House of the Scorpion<\/em> \u2013 Nancy Farmer<\/li>\n<li><em>The Rosary: Path to Prayer<\/em> \u2013 Liz Kelly<\/li>\n<li><em>Called to Communion<\/em> \u2013 Pope Benedict XVI<\/li>\n<li><em>The Layman and His Conscience<\/em> \u2013 Ronald Knox<\/li>\n<li><em>Healing the Culture<\/em> \u2013 Robert Spitzer, S.J.<\/li>\n<li><em>Jesus of Nazareth<\/em> \u2013 Pope Benedict XVI<\/li>\n<li><em>Peace of Soul<\/em> \u2013 Fulton Sheen<\/li>\n<li><em>Abandonment to Divine Providence<\/em> \u2013 Jean-Pierre de Caussade<\/li>\n<li><em>The Vein of Gold<\/em> \u2013 Julia Cameron<\/li>\n<li><em>Writing Alone and With Others<\/em> \u2013 Pat Schneider<\/li>\n<li><em>If You Want to Write<\/em> \u2013 Brenda Ueland<\/li>\n<\/ul>\n<h2>2007 <span style=\"color: #339966;\">(23)<\/span><\/h2>\n<ul>\n<li><em>Guys Write for Guys Read<\/em> \u2013 Edited by John Scieszka<\/li>\n<li><em>Drums, Girls and Dangerous Pies<\/em> \u2013 Jordan Sonnenblick<\/li>\n<li><em>Twilight<\/em> \u2013 Stephenie Meyer<\/li>\n<li><em>Confessions of a Closet Catholic<\/em> \u2013 Sarah Darer Littman<\/li>\n<li><em>The Book Thief<\/em> \u2013 Markus Zusak<\/li>\n<li><em>The Reading Zone<\/em> \u2013 Nancie Atwell<\/li>\n<li><em>Marginalia<\/em> \u2013 H.J. Jackson<\/li>\n<li><em>The Paideia Classroom<\/em> \u2013 Terry Roberts and Laura Billings<\/li>\n<li><em>Going with the Flow<\/em> \u2013 Michael Smith and Jeffrey Wilhem<\/li>\n<li><em>Master and Commander<\/em> \u2013 Patrick O\u2019Brian<\/li>\n<li><em>Word of Mouth Marketing<\/em> \u2013 Andy Sernovitz<\/li>\n<li><em>Storm Front<\/em>\u00a0\u2013 Jim Butcher<\/li>\n<li><em>Literature Circles<\/em> \u2013 Harvey Daniels<\/li>\n<li><em>The 4-Hour Workweek<\/em> \u2013 Timothy Ferriss<\/li>\n<li><em>Riches in Niches<\/em> \u2013 Susan Friedmann<\/li>\n<li><em>Don Quixote<\/em> \u2013 Miguel de Cervantes<\/li>\n<li><em>Made to Stick<\/em> \u2013 Chip Heath and Dan Heath<\/li>\n<li><em>The Samurai<\/em> \u2013 Shusaku Endo<\/li>\n<li><em>The Book on the Bookshelf<\/em> \u2013 Henry Petroski<\/li>\n<li><em>How to Think About the Great Ideas<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>The Return of the King<\/em> \u2013 J.R.R. Tolkien<\/li>\n<li><em>The Two Towers<\/em> \u2013 J.R.R. Tolkien<\/li>\n<li><em>The Fellowship of the Ring<\/em> \u2013 J.R.R. Tolkien<\/li>\n<\/ul>\n<h2>2006 <span style=\"color: #339966;\">(37)<\/span><\/h2>\n<ul>\n<li><em>A Vision of the Future<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>Ten Philosophical Mistakes<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>Lysistrata<\/em> \u2013 Aristophanes<\/li>\n<li><em>Preparation for Total Consecration<\/em> &#8211; St. Louis de Montfort<\/li>\n<li><em>The Clouds<\/em> \u2013 Aristophanes<\/li>\n<li><em>The Great Conversation<\/em> \u2013 Robert Hutchins<\/li>\n<li><em>A Fine Young Man<\/em> \u2013 Michael Gurian<\/li>\n<li><em>Oedipus Rex<\/em> \u2013 Sophocles<\/li>\n<li><em>The Courage to Be Brilliant<\/em> \u2013 Marta Monahan<\/li>\n<li><em>The Paideia Program<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>A Guidebook to Learning<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>How to Speak How to Listen<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>Reforming Education<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>The Paideia Proposal<\/em> \u2013 Mortimer Adler<\/li>\n<li><em>\u201cOrdinary\u201d Children, Extraordinary Teachers<\/em> \u2013 Marva Collins<\/li>\n<li><em>Socratic Circles<\/em> \u2013 Matt Copeland<\/li>\n<li><em>Socratic Seminars and Literature Circles<\/em> \u2013 Moeller and Moeller<\/li>\n<li><em>Marva Collins\u2019 Way<\/em> \u2013 Marva Collins<\/li>\n<li><em>Inspiring Active Learning<\/em> \u2013 Merrill Harmin<\/li>\n<li><em>The Highly Sensitive Person<\/em> \u2013 Elaine Aron<\/li>\n<li><em>The Rhythm of Life<\/em> \u2013 Matthew Kelly<\/li>\n<li><em>The Millionaire Next Door<\/em> \u2013 Thomas Stanley and William Danko<\/li>\n<li><em>Total Money Makeover<\/em> \u2013 Dave Ramsey<\/li>\n<li><em>Saint Vidicon to the Rescue<\/em> \u2013 Christopher Stasheff<\/li>\n<li><em>Father Elijah<\/em> \u2013 Michael D. O\u2019Brien<\/li>\n<li><em>Where Eagles Dare<\/em> \u2013 Alistair MacLean<\/li>\n<li><em>Captain Alatriste<\/em> \u2013 Arturo P\u00e9rez-Reverte<\/li>\n<li><em>The Anubis Gates<\/em> \u2013 Tim Powers<\/li>\n<li><em>The Fencing Master<\/em> \u2013 Arturo P\u00e9rez-Reverte<\/li>\n<li><em>The Mote in God\u2019s Eye<\/em> \u2013 Larry Niven and Jerry Pournelle<\/li>\n<li><em>Crocodile on the Sandbank<\/em> \u2013 Elizabeth Peters<\/li>\n<li><em>The Rule of Four<\/em> \u2013 Ian Caldwell and Dustin Thomason<\/li>\n<li><em>The Club Dumas<\/em> \u2013 Arturo P\u00e9rez-Reverte<\/li>\n<li><em>Jonathan Strange and Mr. Norrell<\/em> \u2013 Susanna Clarke<\/li>\n<li><em>The Quincunx<\/em> \u2013 Charles Palliser<\/li>\n<li><em>The Secret History<\/em> \u2013 Donna Tartt<\/li>\n<li><em>Bridge of Birds<\/em> \u2013 Barry Hughart<\/li>\n<\/ul>\n<h2>2005 <span style=\"color: #339966;\">(24)<\/span><\/h2>\n<ul>\n<li><em>On the Beatitudes<\/em> &#8211; St. Augustine<\/li>\n<li><em>Pickwick Papers<\/em> &#8211; Charles Dickens<\/li>\n<li><em>Prometheus Bound<\/em> &#8211; Aeschylus<\/li>\n<li><em>Aristotle for Everybody<\/em> &#8211; Mortimer Adler<\/li>\n<li><em>Lying Awake<\/em> &#8211; Mark Salzman<\/li>\n<li><em>Mariette in Ecstasy<\/em> &#8211; Ron Hansen<\/li>\n<li><em>Divine Intimacy<\/em> &#8211; Fr. Gabriel<\/li>\n<li><em>Orthodoxy<\/em> &#8211; G.K. Chesterton<\/li>\n<li><em>Introduction to Mary<\/em> &#8211; Mark Miravalle<\/li>\n<li><em>Lord Peter<\/em> &#8211; Dorothy L. Sayers<\/li>\n<li><em>Lake Wobegon Days<\/em> &#8211; Garrison Keillor<\/li>\n<li><em>Cannery Row<\/em> &#8211; John Steinbeck<\/li>\n<li><em>The Unpleasantness at the Bellona Club<\/em> &#8211; Dorothy L. Sayers<\/li>\n<li><em>Unnatural Death<\/em> &#8211; Dorothy L. Sayers<\/li>\n<li><em>Clouds of Witness<\/em> &#8211; Dorothy L. Sayers<\/li>\n<li><em>Whose Body?<\/em> &#8211; Dorothy L. Sayers<\/li>\n<li><em>Letters of Spiritual Direction<\/em> &#8211; St. Francis de Sales and St. Jane Frances de Chantal<\/li>\n<li><em>True Devotion to the Holy Spirit<\/em> &#8211; Luis Martinez<\/li>\n<li><em>Fire Within<\/em> &#8211; Thomas Dubay<\/li>\n<li><em>Quo Vadis?<\/em> &#8211; Henryk Sienkiewicz (Translated by Jeremiah Curtin)<\/li>\n<li><em>The Lord<\/em> &#8211; Romano Guardini<\/li>\n<li><em>True Devotion to Mary<\/em> &#8211; St. Louis De Montfort<\/li>\n<li><em>Triumph<\/em> &#8211; H.W. Crocker<\/li>\n<li><em>Leaving Home<\/em> &#8211; Garrison Keillor<\/li>\n<\/ul>\n<h2>2004 <span style=\"color: #339966;\">(13)<\/span><\/h2>\n<ul>\n<li><em>The Imitation of Christ<\/em> &#8211; Thomas a Kempis<\/li>\n<li><em>This Tremendous Lover<\/em> &#8211; M. Eugene Boylan<\/li>\n<li><em>Ethics<\/em> &#8211; Aristotle<\/li>\n<li><em>The Portable Plato<\/em>\u00a0&#8211; Plato<\/li>\n<li><em>The Peloponnesian War<\/em> &#8211; Thucydides<\/li>\n<li><em>The Analects<\/em> &#8211; Confucius<\/li>\n<li><em>Tao Te Ching<\/em> &#8211; Lao Tzu<\/li>\n<li><em>The Histories<\/em> &#8211; Herodotus<\/li>\n<li><em>Moby-Dick<\/em> &#8211; Herman Melville<\/li>\n<li><em>The Red and the Black<\/em> &#8211; Stendhal<\/li>\n<li><em>The Ramayana<\/em> &#8211; Valmiki, abridged, translated by Romesh Dutt<\/li>\n<li><em>Tristram Shandy<\/em> &#8211; Laurence Sterne<\/li>\n<li><em>The Tale of Genji<\/em> &#8211; Murasaki Shikibu<\/li>\n<\/ul>\n<h2>2003 <span style=\"color: #339966;\">(17)<\/span><\/h2>\n<ul>\n<li><em>The Canterbury Tales<\/em> &#8211; Geoffrey Chaucer<\/li>\n<li><em>Mahabharata<\/em> &#8211; Vyasa, retold by William Buck<\/li>\n<li><em>Pride and Prejudice<\/em> &#8211; Jane Austen<\/li>\n<li><em>Gulliver&#8217;s Travels<\/em> &#8211; by Jonathan Swift<\/li>\n<li><em>Tom Jones<\/em> &#8211; Henry Fielding<\/li>\n<li><em>The Divine Comedy<\/em> &#8211; Dante Alighieri<\/li>\n<li><em>Candide<\/em> &#8211; Voltaire<\/li>\n<li><em>Paradise Lost<\/em> &#8211; John Milton<\/li>\n<li><em>Aeneid<\/em> &#8211; Virgil<\/li>\n<li><em>Odyssey<\/em> &#8211; Homer, translated by Stanley Lombardo<\/li>\n<li><em>Iliad<\/em> &#8211; Homer, translated by Stanley Lombardo<\/li>\n<li><em>Robinson Crusoe<\/em> &#8211; Daniel Defoe<\/li>\n<li><em>The Brothers Karamazov<\/em> &#8211; Fyodor Dostoyevski<\/li>\n<li><em>The Adventures of Huckleberry Finn<\/em> &#8211; Mark Twain<\/li>\n<li><em>War and Peace<\/em> &#8211; Leo Tolstoy<\/li>\n<li><em>Gargantua and Pantagruel<\/em> &#8211; Francois Rabelais<\/li>\n<li><em>Don Quixote<\/em> &#8211; Miguel de Cervantes<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>2025 (21) The Daily Henry David Thoreau edited by Laura Dassow Walls Moby-Dick by Herman Melville Bleak House by Charles Dickens Into the Wild by Jon Krakauer Autobiography by St. Ignatius of Loyola Lonesome Dove by Larry McMurtry He Leadeth Me by Walter J. Ciszek The Practice of Spiritual Direction by William Barry An Ignatian Book of Days edited by Jim Manney The Tears of Things by Richard Rohr Henry David Thoreau: A Life by Laura Dassow Walls Roots by Alex Haley How the Irish Saved Civilization\u00a0by Thomas&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-7692","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/POucj-204","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/nicksenger.com\/onecatholiclife\/wp-json\/wp\/v2\/pages\/7692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/nicksenger.com\/onecatholiclife\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/nicksenger.com\/onecatholiclife\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/nicksenger.com\/onecatholiclife\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/nicksenger.com\/onecatholiclife\/wp-json\/wp\/v2\/comments?post=7692"}],"version-history":[{"count":160,"href":"http:\/\/nicksenger.com\/onecatholiclife\/wp-json\/wp\/v2\/pages\/7692\/revisions"}],"predecessor-version":[{"id":9409,"href":"http:\/\/nicksenger.com\/onecatholiclife\/wp-json\/wp\/v2\/pages\/7692\/revisions\/9409"}],"wp:attachment":[{"href":"http:\/\/nicksenger.com\/onecatholiclife\/wp-json\/wp\/v2\/media?parent=7692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}